ALASKA TRADITIONAL MUSIC CAMP

Singing Classes 2009

Harmony Singing (Julee Glaub & Mark Weems) – Learn some of the specific techniques and nuances of duet singing. We will work toward choosing keys, creating harmonies, exploring different kinds of harmony, blending voices, phrasing, and listening skills. We will learn how to adapt harmonies to different songs and various genres such as Appalachian, Irish, Gospel, and Traditional Country. The first three classes will focus on unaccompanied singing (without instruments) and in the final class we will discuss how the 

introduction of instruments affects the overall harmonic sound and what adaptations must follow. 

Carter Family Singing (Sammy Lind & Caleb Klauder) – We will share our repertoire of Carter Family songs and help to break down the harmonies in a way that is accessible to anyone. We will share our views on chord choices and point out our crossing harmony lines. Students will have a chance to sing solo and in duo and trio settings. 

Irish Song (Julee Glaub) – Students will discover their voice through the art of Traditional Irish singing. We will learn the fundamentals of song as we develop Irish ornamentation, repertoire, phrasing, storytelling through song, and specific Irish styles. We will also explore the foundations of vocal techniques such as breath control, warm up, pitch, volume, intonation, improving range, performance techniques, finding your voice, and proper voice care. Students will increase their Irish song repertoire and will receive individual tutoring within the class as well as participate in several song circles. Recorders are encouraged and the only experience necessary is a desire to sing. 

North Carlolina Ballads (Julee Glaub) – You do not have to be from the Blue Ridge Mountains to sing Appalachian songs. In this class we will explore the specifics of unaccompanied mountain song as well as singing with instruments. This class will focus on the nuances of Southern Appalachian song: phrasing, ornamentation, delivery, communicating and feeling a song. We will listen to older and present day recordings of mountain singers and learn how to sing the same ballads in one’s own voice and with a modern sensibility. Students will learn many songs, and are encouraged to bring any pieces they would like to work on which fit the genre. Tape recorders are encouraged and the only experience necessary is a desire to sing.

Honky Tonk Singing w/Guitar Backup (Mark Weems) – Come just to sing or bring a guitar and learn about the various country vocal styles and guitar accompaniment that emerged in the South after 1945. We will focus on the distinct styles and learn the songs of Hank Williams, Loretta Lynn, Lefty Frizell, Buck Owens, Merle Haggard, and George Jones. Special attention will be paid to phrasing, pitching your voice, ornamentation, and feeling and communicating a song. Basic knowledge of chords is encouraged for the guitar players. Let’s go honky-tonkin’!